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She Mami Wata & The Pussy WitchHunt is d'bi.young anitafrika's Dora nominated 2nd play in her Orisha Trilogy. The play centres on gender, sexuality, and the erotic through the life of three friends – Niki, Michael, Kizzy and Everdon – growing up in present-day Jamaica, who are challenged to re-negotiate their complex relationship under 'buggery' laws. Raised in the violence and silence of misogyny and homophobia, Niki lives on the margins of church, the burlesque-pole and womxn's thighs. As the play unfolds we learn that Nicki is not the only one living on clouds and in shadows. She Mami Wata is anitafrika’s continued exploration of divinity, activism and the Black diaspora through the Yoruba-Ifa Orishas: Ochun (river goddxss of childbirth and erotic love), Yemoja (mother goddxss of the sea), and Oya (goddxss who defends and protects womxn).
Reviews
NOW Magazine She Mami Wata Review
bit.do/NowSheReview
Mooney on Theatre She Mami Wata Review
bit.do/MooneySheReview
Life With More Cowbell She Mami Wata Review
bit.do/CowbellSheReview
Malik Shaheed She Mami Wata Review
bit.do/MalikShaheedSheReview
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d'bi.
d'bi. is a global dub poet jamaican-dancehall-diva-womxnist-warrior-chanting-conscious-fyah on the mic. their lyricism stems from the socio-political genre of dub poetry fused with dancehall reggae, hiphop, punk rock, blues & performance art; producing a pepperpot of theatricality that crosses cultural boundaries, reconfigures social norms & inspires r/evolution. ... more
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